Nikos Lagos,
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Sotirios Bahtsetzis notes in the catalogue text: “The verbal cartographies in Nikos Lagos’s most mature work (paintings with acrylic on canvas and drawings with charcoal on paper), in which the graphical chromatic depiction gives precedence to semiotic writing, function more as a contemporary ‘biblia pauperum’ and as resistance against a superficial society, a society of pseudo-culture due to information overload. In juxtaposition to the spectacular deluge of images, and the allure of these images, the semiotics of the artist invoke a faith in our own associations, our personal mnemonic, the modern imagination (imaginatio) and invention (inventio). […] the artist tries to subvert the narcissism of a contemporary world that doesn’t want to change. There’s no childlike innocence or adolescent rebellion a la graffiti in Lagos’ works, but instead a politically-rooted criticism against acquired and media-constructed images, meanings and values”.