{"id":6623,"date":"2007-03-16T02:59:57","date_gmt":"2007-03-16T00:59:57","guid":{"rendered":"http:\/\/nicklagos.gsarigiannidis.gr\/?p=6623"},"modified":"2014-10-05T03:12:57","modified_gmt":"2014-10-05T00:12:57","slug":"georges-vyron-davos-march-15th-2007-french","status":"publish","type":"post","link":"https:\/\/www.nicklagos.gr\/en\/georges-vyron-davos-march-15th-2007-french\/","title":{"rendered":"Georges-Vyron Davos March 15th 2007 &#8211; (French)"},"content":{"rendered":"<p>Un des plus grands d\u00e9fis pour un th\u00e9oricien d\u2019 art est celui de tenter une pr\u00e9sentation critique de l\u2019 \u0153uvre d\u2019 un jeune artiste en essayant de d\u00e9finir, au del\u00e0 des influences que trop apparentes, les param\u00e8tres esth\u00e9tiques fondamentaux de sa cr\u00e9ation, sa fidelit\u00e9 et sa constance en ce qui concerne ces principes et, surtout, l\u2019 intentionalit\u00e9 qui conduit causativement au r\u00e9sultat final. Selon nous, le devoir du th\u00e9oricien est d\u2019 approfondir de mani\u00e8re holistique -et non en se basant \u00e0 quelques affinit\u00e9s formelles occasionelles- \u00e0 l\u2019 \u0153uvre de l\u2019 artiste, de peser les composantes bien fond\u00e9es de son style et les messages importants de son intention, d\u2019 \u00e9tablir les\u00a0signes d\u2019 une \u00e9volution promettante au futur.<br \/>\nEt cela car tout jeune artiste, quel que soit son rapport empathique avec ses prototypes, porte sur le corps de son \u0153uvre des \u00e9l\u00e9ments nouveaux, lesquels enrichissent son d\u00e9sir premier et in\u00e9vitable d\u2019 aborder le vocabulaire plastique d\u2019 un autre et consistent le germe de son propre parcours vers la conqu\u00eate de son style personel. Et c\u2019est cette greffe b\u00e9n\u00e9fique, cet \u00e9l\u00e9ment nouveau que comme souligne Ch. Perrault dans\u00a0la c\u00e9l\u00e8bre\u00a0<em>Querelles des Anciens et des Modernes<\/em>ajoute roujours la g\u00e9n\u00e9ration qui suit \u00e0 la pr\u00e9c\u00e9dente, c\u2019 est exactement cela que le jeune artiste doit r\u00e9v\u00e9ler et relever.<br \/>\nL\u2019 \u0153uvre de Nikos Lagos est, d\u2019 apr\u00e8s nous, un de ces exemples. Sans la moindre grandiloquence, ce jeune artiste essaie soigneusement de d\u00e9couvrir sa propre mani\u00e8re d\u2019 expression, sans nier ses influences. Bien au contraire, il les utilise comme un point de rep\u00e8re purement stylistique, et cela lui permet d\u2019 \u00e9tendre sa recherche vers un horizon beaucoup plus vaste que les artistes qui l\u2019 ont form\u00e9\u00a0; il pose le pied sur le seuil qu\u2019 ils ont fond\u00e9, mais en m\u00eame temps il l\u00e8ve le regard plus haut, cherchant \u00e0 \u00e9lever la probl\u00e9matique formelle sur une marche sup\u00e9rieure.<br \/>\nDans le cas de Nikos Lagos cela devient clair au choix de ses th\u00e8mes\u00a0:\u00a0 l\u2019 image de la r\u00e9alit\u00e9 que le jeune artiste pr\u00e9sente, de cette r\u00e9alit\u00e9 vibrante d\u2019 aujourd\u2019 hui, ces (re)pr\u00e9sentations du monde que son art tente \u00e0 esquisser, est d\u2019 une autre composition, guid\u00e9e de conceptions tout \u00e0 fait diverses de celles qui inspiraient la g\u00e9n\u00e9ration m\u00eame qui l\u2019 a pr\u00e9c\u00e9d\u00e9. D\u2019 ailleurs, son intention ne co\u00efncide gu\u00e8re avec les ambitions de celle ci. Car ce qui int\u00e9resse Nikos Lagos n\u2019 est pas de tracer une r\u00e9alit\u00e9\u00a0; plut\u00f4t il cherche \u00e0 explorer les archetypes de l\u2019 exp\u00e9rience quotidienne, ces images, notions ou valeurs, primordiales ou plus r\u00e9centes, mais en tout cas acquises et construites, autrement dit les outils avec lesquels l\u2019 homme a construit la sph\u00e8re intellectuelle de son existence.<br \/>\nNikos Lagos focalise son attention vers la fondation esthetique et indirectement cognitive de la r\u00e9alit\u00e9 objectivante de l\u2019 homme commun. Ce n\u2019 est gu\u00e8re par hasard qu\u2019 \u00e0 la base de son vocabulaire plastique on retrouve des images-prototypes, dont la projection ecxessive et son usage extensif\u2014\u00e0 travers la diversit\u00e9 des stratifications de sens et les \u2018jeux de langage\u2019 multiples\u2014sont devenus si triviales et \u00e9videntes qu\u2019 elles finissent par perdre leur sens symbolique et souvent terrible. De m\u00eame il consid\u00e8re la langue, l\u2019 \u00e9criture, en tant que m\u00e9chanisme de production de sens et code de reproduction de significations, c\u2019 est \u00e0 dire comme un double phenom\u00e8ne qui repr\u00e9sente le monde tel que nos sens le per\u00e7oivent et en m\u00eame temps l\u2019 alt\u00e8re par des processus intellectuels et id\u00e9ologiques.<br \/>\nNikos Lagos met audacieusement en question toute d\u00e9claration sur le monde r\u00e9el qui se veut globale et d\u00e9finitive\u00a0; ses tableaux m\u00eames nous incitent \u00e0 chercher au del\u00e0 du sens objectif des images ou des lettres de l\u2019 alphabet, au del\u00e0 de la<em>th\u00e9orie picturelle (pcture theory)\u00a0<\/em>du code de communication, pour traduire librement\u00a0 le pr\u00e8mier Wittgenstein du<em>Tractatus<\/em>. Le code s\u00e9mantique, celui de la repr\u00e9sentation tout comme celui de l\u2019\u00e9criture (qui consiste aussi une ambition de repr\u00e9senter la langue\u00a0 et l\u2019 expression phonetique), n\u2019 est pas cette expression du quotidien qu\u2019 on nous propose, dompt\u00e9e par une grammaire et des r\u00e8gles officielles, plastiques, cognitives ou logiques. Tout au contraire, Nikos Lagos (et cela nous rappelle la th\u00e9orie de W.V.O. Quine dans le\u00a0<em>Word and Object<\/em>) entreprend de briser cette exp\u00e9rience quotidienne, comme notre intellect a tendance \u00e0 percevoir, en tant qu\u2019 un ensemble d\u2019 objets, et cela pour la raison qu\u2019 on a l\u2019 habitude de nommer tout ce qu\u2019 on voit et on ressent. Confiant aux r\u00e9sultats de l\u2019 exp\u00e9rience quotidienne du\u00a0<em>Shock-Erlebnis<\/em>, comme d\u00e9fini par W. Benjamin, N. Lagos\u00a0 a r\u00e9ussi \u00e0 demontrer que dans notre monde ce que vit chacun entre nous ressemble \u00e0 la\u00a0\u2018langue personelle\u2019 de Wittgenstein\u00a0: en partie personnel certes, mais en m\u00eame temps articul\u00e9 en accord avec les prototypes et archetypes du code g\u00e9n\u00e9rique\u00a0 formul\u00e9 par la race humaine et exprim\u00e9 dans le contexte obligatoire de notre soci\u00e9t\u00e9\u00a0; l\u2019 exp\u00e9rience et son expression restent donc fig\u00e9es dans le champs cognitif et sensitive du quotidien. Un quotidien impos\u00e9 par les autres, mais que de nos jours seulement l\u2019 art guarde le pouvoir de demontrer par des actes et au del\u00e0s des j\u00e9ri\u00e9miades de l\u2019 hypocrisie politique et sociale.<\/p>\n<p class=\"style7\" align=\"right\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Georges-Byron Davos<br \/>\nTh\u00e9oricien de l\u2019 esth\u00e9tique<\/p>\n<p class=\"style7\" align=\"right\">\n","protected":false},"excerpt":{"rendered":"<p>Un des plus grands d\u00e9fis pour un th\u00e9oricien d\u2019 art est celui de tenter une pr\u00e9sentation critique de l\u2019 \u0153uvre d\u2019 un jeune artiste en essayant de d\u00e9finir, au del\u00e0 des influences que trop apparentes, les param\u00e8tres esth\u00e9tiques fondamentaux de sa cr\u00e9ation, sa fidelit\u00e9 et sa constance en ce qui concerne ces principes et, surtout, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6762,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-6623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-writings"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.0 - 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